Bio
Optical
painting takes place within the eye, where separate elements interact visually rather
than on canvas. 3-D or stereographic painting extends the principle to a
perception of depth with an added brilliance from joining two or more visual
fields. Heather
Lowe’s work has reached beyond color moiré to gradations of color and
ground in diverse patterns that affect one another by altering hue or shape to
generate the image of a wave, or cloud formations, or dancing figures, for
example. The possibilities of painting on mirrored glass have been explored in
her work, as well as the resources of unaided stereography. Some of her
paintings are kinetic abstractions inspired by comic actors, paintings which
convey a joke or physical gag in terms of color and form, and for the last five
years she has been working in lenticular media.
The essence of her work at present is the representation of
natural phenomena by abstract means such as color harmonies, variegation of
rhythm, simple geometries and allusive form which combine to produce rich
effects without loss of clarity.
Heather Lowe’s work in stereo photography has followed
both lines, the blending of separate pictures and the composed or altered
image. Her work has been exhibited widely, from Ruth Bachofner Gallery to the Los
Angeles Municipal Art
Gallery and New
York, Japan and
Spain. She was
born in Santa Monica, grew up in Malibu,
studied at Santa Monica College,
UC Santa Cruz, and San Francisco City
College, and currently resides in
Los Angeles.
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Christopher Mulrooney
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Interview from 2005 published in the Oregon Review can be
read here.
Article written by Ray Zone.
Review by Christopher Mulrooney here.